The John Weiss and Earl and Mattie Morelands lived up on top of the mountain, about 6000 feet where the firs grew. I don’t know anything about their background. Weiss had a small cabin, tightly chinked, a really good cabin. The Morelands had a bigger cabin and even had a bunkhouse and a barn. They had the Lone Star Mine, I believe it was, and worked it for years. A shaft went down 200 feet with stopes going off here and there. Daddy and I got to go down there once.
Herb and Irma Gorman were up there for years and years. They lived in the Claraville flat area. Claraville was an interesting area because there was a public meadow there, something like twenty acres. It had been kind of a city back in gold rush days. There was one little cabin there, known as the Recorder’s Shack, the oldest cabin in the Claraville area. It was made out of squared logs. When Mother built the fireplace at our cabin, the mantle log came from the Recorder’s Shack. My brother carved “Blessed by that spot where cheerful guests retire, to pause from toil and trim their evening fire” on it, a few letters at a time. Fritz was good at carving. My mother always liked the quote, she said, because it showed that guests were supposed to work.
Also we lived in a comparatively big cabin that was rotting into the ground that for a while, Tip Fulton’s old place. Now there was another real character. I wish I could remember what Tip did for a living. Everybody was supposed to be a miner because that’s the only way they could hold their claims. There was very little private property other than Nick’s meadow up there. I don’t know if any of the claims had ever been patented. I suppose a few had way in the past.
A lot of people lived in this old cabin through the years. It was abandoned, but had board floors. I think it had two rooms and an old stove. It had what you needed. And it had an old outhouse back a ways from it. So a person could move in and be sort of comfortable.
Kelso Creek wasn’t more than three- or four-hundred feet from the Claraville Meadow. You couldn’t drink out of it, but you could use the water for cooking and other things. Also, the Claraville Meadow had a wonderful spring that had been rocked in so the livestock couldn’t drink out it, but could drank out of the overflow instead. That’s where we got water for that cabin.
I don’t think Tip was married in the early days, but he got married some time when I was young. Tip liked to tell stories. He was famous for talking about the time the pigs ate Little Nevy, and how it rained for forty days and forty nights. And it was either he or his father got bit by a rattlesnake and he sucked the venom to “keep the pizen from gettin’ to his heart.” Tip was kind of a gossip and scandal monger, according to my folks. He had a lot of stories.
Later on, when we lived over on French Gulch, Tip owned a cow. Every day in the evening we kids would walk over to Tip’s place, probably a couple miles, to get a half gallon of milk. We had milk all that summer.
I actually don’t know the background of these people very much because I saw them through a child’s eyes.
Copyright Joanne Harris 2009
Wednesday, March 11, 2009
Saturday, March 7, 2009
Art Griswold
Art Griswold owned or worked two mines on the mountain. I don’t know how old he was because he was always old when I knew him, but that was from the point of view of a little kid. He was over six feet tall and very thin, almost cadaverous, and kind of slumped. He had a big handlebar mustache and a little head of hair.
Nick didn’t like Art. He thought Art was a coward. During the late thirties someone came up on the mountain asking for Art. When Art heard about it he took off and didn’t come back for several years.
Interestingly enough, during the Second World War, Art – let’s start again. Art was entitled to a Spanish-American War pension but he never collected it because he wasn’t going to be one of those guys on welfare. During the Second World War he went down to N.O.T.S., the Naval Ordnance Test Station, in Inyo Kern where he worked as a guard. After the war the FBI got to going through old records and came across Art’s fingerprints, which matched those of a guy wanted for murdering a U.S. marshal in Arizona or New Mexico. My father had some legal experience since he had read the law with my grandfather, Robert Emmet Austin, for a few years while they were still speaking. Art came to Daddy and said he was in trouble, and so Daddy handled it for him. Who knows what really happened. Anyway, it seemed that all the witnesses were dead. All the FBI wanted to do was close the case, which they did. Guess who immediately applied for his Spanish American War pension? He hadn’t filed all those years because he was a fugitive, and that time he took off across the hill, when Nick thought he was a coward, probably somebody from that old adventure was looking for him.
Mother called Art one of “nature’s gentlemen.” He never made an off-color remark. He never did anything off-color and certainly when there was just mother and us kids, he was always a perfect gentleman. If you had liquor in the house, he’d come down and visit. I suppose he did moonshine, too. Most of the stuff that I saw had labels on it, but I’m sure that he did some for himself.
Copyright Joanne Heyser Harris 2009
Nick didn’t like Art. He thought Art was a coward. During the late thirties someone came up on the mountain asking for Art. When Art heard about it he took off and didn’t come back for several years.
Interestingly enough, during the Second World War, Art – let’s start again. Art was entitled to a Spanish-American War pension but he never collected it because he wasn’t going to be one of those guys on welfare. During the Second World War he went down to N.O.T.S., the Naval Ordnance Test Station, in Inyo Kern where he worked as a guard. After the war the FBI got to going through old records and came across Art’s fingerprints, which matched those of a guy wanted for murdering a U.S. marshal in Arizona or New Mexico. My father had some legal experience since he had read the law with my grandfather, Robert Emmet Austin, for a few years while they were still speaking. Art came to Daddy and said he was in trouble, and so Daddy handled it for him. Who knows what really happened. Anyway, it seemed that all the witnesses were dead. All the FBI wanted to do was close the case, which they did. Guess who immediately applied for his Spanish American War pension? He hadn’t filed all those years because he was a fugitive, and that time he took off across the hill, when Nick thought he was a coward, probably somebody from that old adventure was looking for him.
Mother called Art one of “nature’s gentlemen.” He never made an off-color remark. He never did anything off-color and certainly when there was just mother and us kids, he was always a perfect gentleman. If you had liquor in the house, he’d come down and visit. I suppose he did moonshine, too. Most of the stuff that I saw had labels on it, but I’m sure that he did some for himself.
Copyright Joanne Heyser Harris 2009
Friday, February 27, 2009
Paiute People
Paiute People
Copyright Joanne Heyser Harris 2009
I only knew some of the people who were on the mountain from a child’s point of view. I’ve mentioned Louie the Indian. Frank and Jenny King were an old couple. At least, they seemed ancient to me. They lived over on what we called King Creek. Frank did placer mining to keep his claim. And he had about a half acre garden. Once he thought he was going to save time and plough his garden with his horse, Pasco. He got Pasco hitched up and the horse took off over the barbed wire fence, plough and all. I don’t know if Frank ever found all the harness.
Frank was tall, old and thin. He drank a lot. He hunted to keep them in food. The Kings did whatever was necessary to live up there comfortably. There may have been a little bootlegging, but I don’t know. I don’t know if they call it bootlegging if you just do it for your own use, rather than selling it. Jenny was a Swede and had been a nurse during the First World War. She was short and rotund and really, really, really nice. She was always very good to us kids. I never particularly knew Frank one way or another.
Their cabin was very close to Tommy’s cabin, about an eighth of a mile. We were on the same flat. We used to walk back and forth all the time.
Old Nick, as I understand it, was the first white child born in Havilah County, which later became Kern County. In Bakersfield there is either a museum for him or he is in a museum. We used to call him “Ten Daughters Nick,” because he had ten daughters and one son. He called the son “Boy.” There was a lot of talk about who fathered whom and who was really whom. When we knew Nick, Nita Williams was the daughter who was around all the time. She and Mother used to work cattle with Nick. There was another daughter they used to call “Little Bits.”
Nick’s wife had been dead for some years. He had a large ranch in Walker Basin where Mother and I stayed that one year, and he also had a very long meadow, French Meadow, probably about five or six miles long, up on Paiute Mountain. He had a log cabin in that Meadow that he didn’t use any more. We kids used to play in it. Every time we would wander by we would go in it. It kept getting lower and lower to the ground, but it was there for a long time. The cabin had this wonderful spring beside it, maybe a hundred gallons a minute coming right out of the ground. Nick ran his cattle up on Paiute during the summers, and wintered down in Walker Basin.
Nita Williams was my ideal, a genuine cowgirl. They tolerated me. I remember the summer I was seventeen. I and some other people helped brand and castrate some calves. I helped give shots and hold legs. They would rope a calf with a horse and dragged it near the fire. Then, after somebody would throw the calf, I sat on the ground with one foot against and just above the hock of the bottom leg and held the top leg with both hands and leaned back to really keep the legs apart. Then people would knew what they were doing would castrate, brand and earmark the calf, and then let it go. They had a lot of help from people who had never done anything like it before. It was an interesting time.
Copyright Joanne Heyser Harris 2009
I only knew some of the people who were on the mountain from a child’s point of view. I’ve mentioned Louie the Indian. Frank and Jenny King were an old couple. At least, they seemed ancient to me. They lived over on what we called King Creek. Frank did placer mining to keep his claim. And he had about a half acre garden. Once he thought he was going to save time and plough his garden with his horse, Pasco. He got Pasco hitched up and the horse took off over the barbed wire fence, plough and all. I don’t know if Frank ever found all the harness.
Frank was tall, old and thin. He drank a lot. He hunted to keep them in food. The Kings did whatever was necessary to live up there comfortably. There may have been a little bootlegging, but I don’t know. I don’t know if they call it bootlegging if you just do it for your own use, rather than selling it. Jenny was a Swede and had been a nurse during the First World War. She was short and rotund and really, really, really nice. She was always very good to us kids. I never particularly knew Frank one way or another.
Their cabin was very close to Tommy’s cabin, about an eighth of a mile. We were on the same flat. We used to walk back and forth all the time.
Old Nick, as I understand it, was the first white child born in Havilah County, which later became Kern County. In Bakersfield there is either a museum for him or he is in a museum. We used to call him “Ten Daughters Nick,” because he had ten daughters and one son. He called the son “Boy.” There was a lot of talk about who fathered whom and who was really whom. When we knew Nick, Nita Williams was the daughter who was around all the time. She and Mother used to work cattle with Nick. There was another daughter they used to call “Little Bits.”
Nick’s wife had been dead for some years. He had a large ranch in Walker Basin where Mother and I stayed that one year, and he also had a very long meadow, French Meadow, probably about five or six miles long, up on Paiute Mountain. He had a log cabin in that Meadow that he didn’t use any more. We kids used to play in it. Every time we would wander by we would go in it. It kept getting lower and lower to the ground, but it was there for a long time. The cabin had this wonderful spring beside it, maybe a hundred gallons a minute coming right out of the ground. Nick ran his cattle up on Paiute during the summers, and wintered down in Walker Basin.
Nita Williams was my ideal, a genuine cowgirl. They tolerated me. I remember the summer I was seventeen. I and some other people helped brand and castrate some calves. I helped give shots and hold legs. They would rope a calf with a horse and dragged it near the fire. Then, after somebody would throw the calf, I sat on the ground with one foot against and just above the hock of the bottom leg and held the top leg with both hands and leaned back to really keep the legs apart. Then people would knew what they were doing would castrate, brand and earmark the calf, and then let it go. They had a lot of help from people who had never done anything like it before. It was an interesting time.
Friday, February 20, 2009
Frozen Dynamite and Typhoid Fever
Frozen Dynamite and Typhoid Fever
© Joanne Heyser Harris 2008
I recall however one problem building the road over that ditch. There was a tree and a large rock pile in the middle of the ditch. We couldn’t move these rocks. Nobody had a bulldozer, my goodness. So we had to dynamite it. Now Daddy had done a lot of dynamiting. I don’t know where he learned all this stuff, but, you know, at certain things he was really good. As a kid you never think your father’s a very intelligent person, but Father had to be very intelligent in many ways, as I found out in later years.
Howsomever, we needed some dynamite. Who had some dynamite? Art Griswold said that he had two cases of frozen dynamite we could use. But of course, frozen dynamite is exceedingly dangerous. Normally, the way Daddy would do it with proper dynamite, good dynamite, he’d take a cap, which was like a cartridge without a lead pellet in it, he’d cut a piece of fuse and he’d put it into the cap and crimp it so it wouldn’t come out, and then he’d take his knife and bore a hole into the end of the stick of dynamite and push the cap in. That’s how dynamite was armed. Then you would drill a hole in the mine tunnel some place and put the dynamite in. Usually you armed more than one stick at a time, but you kept track of how many you set, maybe five or six. And you lit ‘em and ran out of the tunnel and you called out, “Fire in the hole!” and then you’d count each blast very carefully, all of the blasts. They were timed to go off differently so they didn’t go off in one big blast but boom, boom, boom, boom. You’d know whether they’d all gone off. You didn’t want any hangfires in there. You couldn’t go back in the tunnel. There was no ventilation in there, and the fumes from the tunnel could cause quite a headache. It was twenty-four hours before you could go back into the tunnel.
To make a long story short, they were going to donate these two cases of dynamite. That was a good thing to do with frozen dynamite. But you didn’t cut one of these sticks and put a cap in it. When it's frozen, something in it crystallizes and it's a bomb. You don't necessarily need a cap to set it off. Dropping it might do the job.
What you do is take the fuse, you cap it, and delicately lay it inside the box. Well, here came Frank King and Art Griswold, each with a case of frozen dynamite on his shoulder. They were drunk! They staggered. There was a small crowd, there were probably six of seven people there, and they ran. The men got the dynamite off their shoulders and carefully laid it in among the rocks. The tree was right by the rock pile, because I remember they put one by the tree. They put a long fuse on it and everybody went off a good long distance. But I remember the tree shot straight into the air so fast it left most of its bark behind. It went up, up, up, up, did a cartwheel and came down on the other side of the canyon, probably a sixteenth of a mile away. There were rocks all over the place. The rocks and tree were moved, but there was this big hole in the ground. It took a lot of shoveling, but it was filled up and we had the road into the cabin and didn’t have to go by the Watkins’ and my mother was very happy.
People who live alone in the mountains very often get a thing called Cabin Fever. It’s rarely the men who get the Cabin Fever because they’re usually outside, hunting. They were doing the hunting, they were doing the mining. The women were staying in the cabin cooking, keeping the fire going, stuff like that. So you became desperate for company. Anna Watkins would walk over fairly often and Mother really got tired of seeing her, so we built a little tree house which up by the spring and took turns when it was about the time of day when Anna would show up. One of us would be put up in that tree in a little seat. It wasn’t like a playhouse. It was just seats. We could see up into the meadow, the part of the meadow after it crossed the bridge. We’d see Anna coming and then we’d race down to the house and tell Mama Anna was coming and Mama would pick up a gun and go hunting. And Anna would come and we’d say, “Oh, Mama went hunting and won’t be back.” Mama wanted solitude. She had the kids, the cabin, and she had a lot of hunting to do. That’s the only way we got meat. She kept very busy, and she didn’t want company. That’s one of the things she didn’t want. That was difficult for her. For Anna. Difficult for her, too.
The building of the cabin was my mother’s Life Project, she said. I know now it gave her interest and focus on a project when she was having problems with Daddy, and things – she had had a nervous breakdown. The cabin was her solace and her interest, and she was quite an engineer. She could always figure things out. So the building of the cabin, well, that went on all the years we were there. In the early years they jacked up the cabin and put new logs under it. I guess the first thing that was done after the cabin was functional and we’d moved in, was the Annex. That was a little room to the side that went around part of the front and part of the side. It was kind of like a sloping roof off the other roof.
And this was the summer of ’41, I guess, when my sister came down with typhoid fever. We had a spring. The spring was a good producing spring, but it wasn’t rocked in at all. It was just a hole in the ground. The adults decided that we were going to make a proper spring, that is, dig it out, rock it in. That way we’d keep the cattle out of it. Mom had five kids that summer. Beverly and Dana were there. And we all drank out of the creek for the two weeks that they were doing the spring. What’s amazing is that only my sister got typhoid fever with all of us kids there.
I didn’t know any of this. My mother was afraid that it might be typhoid fever. Audrey was very ill. She had a high fever. Mother kept her in the annex away from us kids and took care of her there. I guess that was the summer we also replaced the roof of the cabin because it was in August and all of the mountaineers said, “take the roof off in August, it never rains in August.” At that particular time Beverly was there and the Paul and Bernie LaGue were there. Audrey was in the back room, because Mom said the only person who was dry was Audrey. She was in the back room in the annex and it didn’t rain in there. Beverly was dry because there was an old piano box she crawled into. Everybody else was just drenched. It just poured that night.
Mother wanted to get a doctor. There was a doctor on the mountain. I can’t remember his name. She asked him to come down and look at Audrey. He didn’t think it was typhoid fever. But Audrey was in bed for weeks and weeks and weeks and weeks. I remember one time when Daddy came up and she was able to get out of bed and get across the little bridge across the creek by the cabin. And I can see her doing that and running into Daddy’s arms. So she was getting better by then. But when we actually came down from the mountain – she had actually been too sick to move until then – we take our medicines so much for granted nowadays – of course there were no antibiotics – when we got back to town, East L.A., in the fall, Mother took Audrey to the doctor and, yes, she had typhoid fever. And she had to be tested for a year to see if she was a carrier.
© Joanne Heyser Harris 2008
I recall however one problem building the road over that ditch. There was a tree and a large rock pile in the middle of the ditch. We couldn’t move these rocks. Nobody had a bulldozer, my goodness. So we had to dynamite it. Now Daddy had done a lot of dynamiting. I don’t know where he learned all this stuff, but, you know, at certain things he was really good. As a kid you never think your father’s a very intelligent person, but Father had to be very intelligent in many ways, as I found out in later years.
Howsomever, we needed some dynamite. Who had some dynamite? Art Griswold said that he had two cases of frozen dynamite we could use. But of course, frozen dynamite is exceedingly dangerous. Normally, the way Daddy would do it with proper dynamite, good dynamite, he’d take a cap, which was like a cartridge without a lead pellet in it, he’d cut a piece of fuse and he’d put it into the cap and crimp it so it wouldn’t come out, and then he’d take his knife and bore a hole into the end of the stick of dynamite and push the cap in. That’s how dynamite was armed. Then you would drill a hole in the mine tunnel some place and put the dynamite in. Usually you armed more than one stick at a time, but you kept track of how many you set, maybe five or six. And you lit ‘em and ran out of the tunnel and you called out, “Fire in the hole!” and then you’d count each blast very carefully, all of the blasts. They were timed to go off differently so they didn’t go off in one big blast but boom, boom, boom, boom. You’d know whether they’d all gone off. You didn’t want any hangfires in there. You couldn’t go back in the tunnel. There was no ventilation in there, and the fumes from the tunnel could cause quite a headache. It was twenty-four hours before you could go back into the tunnel.
To make a long story short, they were going to donate these two cases of dynamite. That was a good thing to do with frozen dynamite. But you didn’t cut one of these sticks and put a cap in it. When it's frozen, something in it crystallizes and it's a bomb. You don't necessarily need a cap to set it off. Dropping it might do the job.
What you do is take the fuse, you cap it, and delicately lay it inside the box. Well, here came Frank King and Art Griswold, each with a case of frozen dynamite on his shoulder. They were drunk! They staggered. There was a small crowd, there were probably six of seven people there, and they ran. The men got the dynamite off their shoulders and carefully laid it in among the rocks. The tree was right by the rock pile, because I remember they put one by the tree. They put a long fuse on it and everybody went off a good long distance. But I remember the tree shot straight into the air so fast it left most of its bark behind. It went up, up, up, up, did a cartwheel and came down on the other side of the canyon, probably a sixteenth of a mile away. There were rocks all over the place. The rocks and tree were moved, but there was this big hole in the ground. It took a lot of shoveling, but it was filled up and we had the road into the cabin and didn’t have to go by the Watkins’ and my mother was very happy.
People who live alone in the mountains very often get a thing called Cabin Fever. It’s rarely the men who get the Cabin Fever because they’re usually outside, hunting. They were doing the hunting, they were doing the mining. The women were staying in the cabin cooking, keeping the fire going, stuff like that. So you became desperate for company. Anna Watkins would walk over fairly often and Mother really got tired of seeing her, so we built a little tree house which up by the spring and took turns when it was about the time of day when Anna would show up. One of us would be put up in that tree in a little seat. It wasn’t like a playhouse. It was just seats. We could see up into the meadow, the part of the meadow after it crossed the bridge. We’d see Anna coming and then we’d race down to the house and tell Mama Anna was coming and Mama would pick up a gun and go hunting. And Anna would come and we’d say, “Oh, Mama went hunting and won’t be back.” Mama wanted solitude. She had the kids, the cabin, and she had a lot of hunting to do. That’s the only way we got meat. She kept very busy, and she didn’t want company. That’s one of the things she didn’t want. That was difficult for her. For Anna. Difficult for her, too.
The building of the cabin was my mother’s Life Project, she said. I know now it gave her interest and focus on a project when she was having problems with Daddy, and things – she had had a nervous breakdown. The cabin was her solace and her interest, and she was quite an engineer. She could always figure things out. So the building of the cabin, well, that went on all the years we were there. In the early years they jacked up the cabin and put new logs under it. I guess the first thing that was done after the cabin was functional and we’d moved in, was the Annex. That was a little room to the side that went around part of the front and part of the side. It was kind of like a sloping roof off the other roof.
And this was the summer of ’41, I guess, when my sister came down with typhoid fever. We had a spring. The spring was a good producing spring, but it wasn’t rocked in at all. It was just a hole in the ground. The adults decided that we were going to make a proper spring, that is, dig it out, rock it in. That way we’d keep the cattle out of it. Mom had five kids that summer. Beverly and Dana were there. And we all drank out of the creek for the two weeks that they were doing the spring. What’s amazing is that only my sister got typhoid fever with all of us kids there.
I didn’t know any of this. My mother was afraid that it might be typhoid fever. Audrey was very ill. She had a high fever. Mother kept her in the annex away from us kids and took care of her there. I guess that was the summer we also replaced the roof of the cabin because it was in August and all of the mountaineers said, “take the roof off in August, it never rains in August.” At that particular time Beverly was there and the Paul and Bernie LaGue were there. Audrey was in the back room, because Mom said the only person who was dry was Audrey. She was in the back room in the annex and it didn’t rain in there. Beverly was dry because there was an old piano box she crawled into. Everybody else was just drenched. It just poured that night.
Mother wanted to get a doctor. There was a doctor on the mountain. I can’t remember his name. She asked him to come down and look at Audrey. He didn’t think it was typhoid fever. But Audrey was in bed for weeks and weeks and weeks and weeks. I remember one time when Daddy came up and she was able to get out of bed and get across the little bridge across the creek by the cabin. And I can see her doing that and running into Daddy’s arms. So she was getting better by then. But when we actually came down from the mountain – she had actually been too sick to move until then – we take our medicines so much for granted nowadays – of course there were no antibiotics – when we got back to town, East L.A., in the fall, Mother took Audrey to the doctor and, yes, she had typhoid fever. And she had to be tested for a year to see if she was a carrier.
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